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| ACCESS | The assumption that training in film/video equals representation in the media. |
| ART | A means of validating certain activities like sculpture and poetry whilst making others like washing up or working in a shop worthless. |
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AVANT GARDE |
A concept which allowed artists to make boring films and claim they were pioneers of a new visual language |
| BRITISH FILM | Films set in Edwardian England or Hampstead starring Hugh Grant. |
| CONTEMPORARY | Films about modern Britain in which everyone behaves like it's 1910. |
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EXPERIMENTAL |
A type of Avant Garde film made by artists who think they're scientists. |
| FUNDING | A complex lobbying system that effectively ensures the irrelevance of "INDEPENDENT" film. |
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INDEPENDENT FILM |
A film industry controlled by state patronage. |
| INSTALLATION | An attempt by artists to turn film /video into a saleable gallery product. |
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PLURALISM |
A concept adopted by the "INDEPENDENT" administrators to fragment the underground coalition. |
| UNDERGROUND | A seething rabble of no-budget film/video makers who don't give a fuck for the "INDEPENDENT FILM INDUSTRY". |
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